Guitar Effects Pedal The BOSS DS 2 is an enhanced version of the already classic of the genre, the DS 1. It delivers this time - in comparison to the legendary overdrive pedals from BOSS - a considerably rougher and more aggressive distortion, which is clearly oriented towards the British amp stack sound, yet still far away from the earlier rather toneless fuzz distortion of the past. In addition, the DS-2 has a second mode that enables yet more aggressive sounds. You can use both options live, as there is an extra jack for a foot switch with which to switch between modes. Extremely flexible! Distortion 2 Sound modes for a wide spectrum for distortion From distorted riff-rock via earthy rock sounds, up to to singing lead sounds Turbo mode can also be activated via an additional footswitch on the remote jack (Foot switch not included) Power consumption: 12 mA Powered with a 9V battery or a 9V DC power supply (coaxial connector - negative terminal inside - not included in delivery, e.g. Article Nr 409939) Dimensions (WxDxH): 73 x 129 x 59 mm Weight: 400 g

Ibanez SH 7 Seventh Heaven distortion pedal accentuates the low-end girth of the 7-string while reducing unwanted string noise. A special mode switch allows you to choose between two different distortion voicings while Lo, Hi, Drive, and Level knobs give you total tone control

Distortion Pedal The BOSS DS 1 is already a classic among distortion pedals. Compared to the legendary overdrive pedals from BOSS, it provides considerably rougher and more aggressive distortion, which is clearly oriented towards the stack sound of British amps and further away from the rather toneless fuzz sound of older distortions. DS1 is certainly good tip for fans of a harder pace. With level, distortion and tone controls one can naturally create tamer sounds. And the stability and reliability of DSP effects - there's no need to mention it. Hard distortion effect for guitar and keyboard Reproduces faithfully all the subtle nuances of the dynamics at any volume Controls: Level, Distortion & Tone Connections: Input and output Current consumption: 4 mA Power supply with a 9 V battery or a 9 V DC power supply (coaxial connection - negative inside - not included, article nr 409939) Dimensions (W x D x H): 73 x 129 x 59 mm Weight: 400 g

Effects Pedal Legendary distortion pedal Used on thousands of recordings in the last three decades Very versatile as a distortion for arena-rock rhythm tones and soaring leads, as a crunch channel for loud amps, or as a boost for solos, and you can still maintain your amplifier's sound at the same time Controls: distortion - filter - volume LED: effect on Footswitch: effects bypass Connectors: input (6.3 mm jack) - output (6.3 mm jack) - power supply connector (coaxial power connector, 5.5 x 2.1 mm, negative polarity inside) Power consumption: 0.8 mA Power supply via 9 V battery or a DC power supply (not included, suitable power supply available under Article Nr 409939) Dimensions (W x D x H): 79 x 103 x 73 mm Weight: 794

Effect Pedal for Electric Guitar The Electro Harmonix Big Muff Pi is one of the classics among distortion pedals. As one of the first pedals made, it delivered a harmonious, tube-resembling distortion sound, and so it is not surprising that it was particularly favoured by guitarists who valued "beautiful" overdrive sounds. Typical of the Big Muff is the almost violin-like sustain. Santana is said to have used it on his first records; Jimi Hendrix had at least one, and David Gilmour of Pink Floyd still uses it today in his vast collection of effects. But modern musicians, such as Korn, use it to shape their distortion sound. Distortion/Sustain Sounds ΰ la Jimi Hendrix, Santana and Pink Floyd Long, creamy sustain Fat fuzz sound Subtle treble Transparent bass Dimensions (W x D x H): 102 x 121 x 89 mm